Composers:

Professor Green

MC, Lyrics

Hip-Hop

Professor Green (Ft Lily Allen) 'Just be Good to Green'
Just Be Good To GreenJust Be Good To Green
Putting a new edge on the SOS single 'Just be Good to Me' Professor Green and Lily Allen have turned the 70's tune into a modern day chart topper, 'Just be Good to Green' opens with Lily taking on the chorus followed the signature rap of Pro Green bringing the track right onto dancefloors. The single is available from July 5th with Pro's album release following later in the summer.

Professor Green - I Need You Tonight
Professor Green ‘I Need you Tonight’ has been added to the Radio 1 A List!
The single is due for release on April 12th and is the first single to be taken from his new album ‘Alive 'Til I’m Dead’ that will follow in the summer. Read more here: Pro Green - I Need You Tonight

Professor Green is currently on tour with Lily Allen in Australia repeating the success of Lily’s UK and European tour where he appears with her during her show performing his tracks Hard Night Out and Just Be Good To Green near the end of her set. He was also interviewed on Nick Grimshaw radio 1 show. http://www.bbc.co.uk/radio1/photos/nickgrimshaw/4628/last#gallery4628
Keep up to date with everything he is doing at twitter.com/professorgreen and keep an eye out for the new material coming very very soon via Virgin Records.

Pro Green & Lily Allen
Professor Green has been hitting it all over the UK and Europe with Lily Allen with there epic collaboration 'Just be Good to Green'.

UK Video Music Awards
Big congratulations also to Professor Green who gained a nomination for Best Urban Video for his track ‘Upper Clapton Dance’ at this year’s UK Video Music Awards.

HARD NIGHT OUT LAUNCH PARTY!
Thursday July 9th @ 7.30pm
Hoxton Square Bar and Kitchen

Gym Class HeroesGym Class Heroes


Gym Class Heroes
Pro Green toured nationally with the Gym Class Heroes in September.

REVIEW FROM GIGWISE.COM
Friday 09/02/07 Plan B, Prof. Green, Example @ Shepherd's Bush Empire, London

by Thom Gulseven on 13/02/2007

With his boss (Mike ‘The Beats’ Skinner) watching on from the upstairs bar, this fuzzy haired Fulham lyricist Example labours a painfully elaborated ‘ghetto’ accent, which certainly sounds ridiculous but has the chavalicious adolescents in the crowd dancing along nonetheless. Example’s repertoire seems to be based around a self-deprecating ‘so what, I’m white, posh and can’t rap’ recognition of his short comings. Unfortunately, this does little to detract from the fact that he is white, posh and can’t rap – “Come on sing along” he pleads “it’s easy, it’s gotta be, I wrote it”. Far too true a statement – cumbersome, forgettable shithop heavily laced with Mike Skinner’s obvious record label input and influence (what ever happened to pushing things forward eh Mike?).

Straight out of the hip hop battle scene, Prof. Green has been a favourite on the London circuit for a few years now. But with the release of single ‘Before I Die’ Prof Green’s intelligent word play and idiosyncratic style has matured beyond the realms of the playground diss, and emerged one of 2007s most promising homegrown talents. The thumping refix of Pharrell’s ‘Can I Have It Like That’ and mix of Dead Prez’d ‘Hip Hop’ get the now rammed venue jumping, as does the aforementioned ‘Before I Die’. These tracks aside, Prof retains the edgy humour that got him recognised throughout the battle scene – there’s time for a quick freestyle all about Lady Sov’s lesbian adventures that has the crowd in stitches, as well as the occasional controversial punch line that’ll get jaws dropping, and parents angry nationwide - “This year I’m here blowing up like backpacks on packed trains” – undeniably cheap and nasty, but tongue in cheek enough to get away with it.

When we got our hands on Ben Drew’s four track sampler back in summer 2005, things looked so goddamn promising. Clearly a chap with something worthwhile to say, Plan B seemed to exist to cause controversy and make people think – nothing new there, we hear you cry. But rarely had someone captured the daily perils, trials and everyday nastiness of inner-city/council estate adolescence so angrily, and at the same time (with the help of his unconventional, totally unhiphop acoustic guitar) so articulately, and so delicately.