One of music’s best-kept secrets, whilst his music is streamed more than 2m times a month, solo artist, film composer and producer Snorri Hallgrímsson grew up in a strong Icelandic choral tradition, beginning his career as a classical guitarist before falling in love with film music in his teens and going on to study composition at the Iceland Academy of the Arts and at Berklee College of Music.

His debut solo album, Orbit, was released in 2018, two years after he returned to Iceland having lived away in Spain and Mexico and traces the journey of living in different environments, whilst characterized by Icelandic melancholy and electronic undercurrents. The double EP Landbrot I and Landbrot II: an introspective and personal collection of instrumental pieces for piano and strings, was released in 2020-2021. Snorri’s 2nd full length album, I Am Weary, Don’t Let Me Rest was released in June 2023 and went on to receive 3 nominations at the Icelandic Music Awards - winning 1 award for Production of the Year.

In 2024, Snorri signed with Deutsche Grammophon. His debut release with the renowned label being the EP Longer Shadows, Softer Stones. In May Deutsche Grammophon release the first of a series of singles leading to launch of Snorri’s next album in September and live shows in the autumn.

Snorri collaborated with Ólafur Arnalds on the BAFTA award winning score for Broadchurch. His impressive growing list of individual film credits include; Jaula/The Chalk Line (released in 2022, the #2 most watched film globally (non-English language) on Netflix, for 4 weeks running), the documentary feature Innocence (launched at the 2022 Venice Film Festival and for which Snorri won Best OST at the 2025 Icelandic Music Awards).

Snorri has scored the forthcoming feature Words Of War, from the production company of Sean Penn, the James Strong directed thriller about journalist Anna Politkovskaya's crusade for an independent voice in Putin's Russia, released on 2nd May to coincide with World Press Day.

In his music, Snorri is able to find ways to balance emotion without invoking overdramatic exuberance. His string arrangements, informed by his early and continued involvement in choral singing, are deeply atmospheric.